Recent Projects

A person holding a blue and white calendar or flyer from the University of Connecticut, featuring a clock and pictures of diverse individuals, against a beige background.

Nutmeg Magazine’s 2025 On The Clock

A printed chart titled 'Student Jobs by the Numbers' with blue circles containing various numbers and categories, partially visible on a green surface in a library or bookstore.
A printed itinerary or schedule for an event called 'Conference,' with dates and times, surrounded by icons representing various activities or topics such as a handshake, a dog, a squad, a computer, a skeleton, a dog, a microphone, and food items, set against a red, white, and blue background with a blue surface underneath.

As Creative Director of Nutmeg Publishing, I was responsible for developing the visual identity of each semester’s magazine. For this issue, centered on student jobs, I drew inspiration from the everyday objects, signage, and ephemera that define campus life. The design language captures visual references of student work environments, translating familiar details into a cohesive publication that the students relate to.

Fall’s Magazine On the Clock

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A brick building with large illuminated windows and a peaked roof at dusk, with decorative arches supported by columns at the entrance and trees in the background.

Benton Museum Graphic Design

Public outdoor display advertising art exhibit event poster with large text 'EXPERIENCE ART' and additional information about exploring America at 250, clouds art collaboration, and magic of Maureen McCabe, with a black handbag resting on the ledge below
A white sandwich board sign on sidewalk with black bold text reading 'Come in and Expire Art,' next to a sculpture of a dog lying down with folded front paws, in front of a building entrance.

As Graphic Designer at the William Benton Museum of Art, I developed label systems for the three galleries in the building and created branding for rotating exhibitions. My position also consisted designing a wide range of print materials, including banners, stickers, postcards, posters, and brochures.

Visual Assets for the Benton Museum

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A woman in a beige crochet dress with shorts stands in a crowd at night, backlit by bright lights, with other people around her.

Noah Millar for Bjerke Design

A woman with short hair wearing a beige crochet top and shorts, brown knee-high boots, walking in a festival field at sunset with other people and palm trees in the background.
A person with short blonde hair and closed eyes wearing a cream-colored, open-knit, long-sleeve top standing with arms raised at a nighttime outdoor concert or festival, with colorful stage lights and a crowd in the background.

After immersing myself in the fashion culture at Central Saint Martins in London, I actively pursued opportunities to develop my knitwear practice. This commission allowed me to develop original patterns while fully shaping the creative vision and final outcome.

Custom Set For Coachella 2025

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Central Saint Martins Scrap bag

Using the Scraps Found in the Fashion Studios

This piece is a result of a brief where we were assigned to create, maintain, and expand a collection in London. I decided to collect scraps from my practice in knitwear, my internship, and my studio days at CSM. The materials consisted of yarn, fabric, and leather found in studios and free facilities for CSM students.

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